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DEPTH OF FIELD

Dealer in original historical

and fine art photographic prints

Stork 921
Price€525,00
VAT Included
Etude de nu féminin
Price€2.500,00
VAT Included
Early racing 1922
Price€225,00
VAT Included
Lady with Ivy
Price€325,00
VAT Included
Early racing 1930
Price€425,00
VAT Included
Lady with Twig
Price€325,00
VAT Included
Early racing
Price€475,00
VAT Included
Early racing 1912
Price€425,00
VAT Included
Stork 281
Price€375,00
VAT Included
Early racing Panhard et Levassor
Price€475,00
VAT Included

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Depth of Field at Hotel Arena -
6 February - 23 March 2026, Amsterdam

A curated photography exhibition at Hotel Arena by D.O.F. bringing together historical and contemporary works to explore the diversity of the photographic medium. On display until March 23rd.

Free entrance!

Depth of Field at Hotel Arena -
6 February - 23 March 2026, Amsterdam

A curated photography exhibition at Hotel Arena by D.O.F. bringing together historical and contemporary works to explore the diversity of the photographic medium. On display until March 23rd.

Free entrance!

#pan #vintagephotgraphy #panamsterdam #dof

#pan #vintagephotgraphy #panamsterdam #dof

To be displayed at the Pan:

Space Transportation System-41 B 1984

STS-41-B launched on February 3, 1984 and landed on February 11, 1984, after deploying two communications satellites.

These are hard to find original STS-41B mission photograph contact sheet shots of Astronaut Bruce McCandless during his famous STS-41B EVA (extravehicular activity). The famous NASA photograph shows McCandless floating alone above Earth, hundreds of feet from Challenger. The image became a symbol of human exploration, often described as the "ultimate solitude.

25,3 x 18,7 cm

To be displayed at the Pan:

Space Transportation System-41 B 1984

STS-41-B launched on February 3, 1984 and landed on February 11, 1984, after deploying two communications satellites.

These are hard to find original STS-41B mission photograph contact sheet shots of Astronaut Bruce McCandless during his famous STS-41B EVA (extravehicular activity). The famous NASA photograph shows McCandless floating alone above Earth, hundreds of feet from Challenger. The image became a symbol of human exploration, often described as the "ultimate solitude.

25,3 x 18,7 cm

To be displayed at the Pan:

Gaudenzio Marconi was a prominent photographer who worked for artists such as Auguste Rodin, providing photographs of models and sculptures to aid in the creative process. The crouching nude (nu accroupi) was a classical pose frequently used in academic art. Marconi’s photographs of models in such poses were used by Rodin as studies or reference material for his sculptures.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Gaudenzio Marconi was a prominent photographer who worked for artists such as Auguste Rodin, providing photographs of models and sculptures to aid in the creative process. The crouching nude (nu accroupi) was a classical pose frequently used in academic art. Marconi’s photographs of models in such poses were used by Rodin as studies or reference material for his sculptures.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Triptych Gemini GT-3 Launch

The mission was launched from Cape Canaveral, Florida, and the spacecraft, named "Molly Brown",
completed three orbits around Earth in just under five hours. This mission laid the groundwork for subsequent Gemini flights and contributed significantly to the success of the Apollo lunar missions. In the mid-1960s, before Apollo took astronauts to the Moon, NASA ran the Gemini program—a series of
two-man missions that tested whether humans could live and work in space for long enough to make a
lunar trip possible.

These photographs capture dramatic moments of the active launch, providing a stunning visual record of this historic event.

77 x 50 cm

€2.250,- ex VAT

To be displayed at the Pan:

Triptych Gemini GT-3 Launch

The mission was launched from Cape Canaveral, Florida, and the spacecraft, named "Molly Brown",
completed three orbits around Earth in just under five hours. This mission laid the groundwork for subsequent Gemini flights and contributed significantly to the success of the Apollo lunar missions. In the mid-1960s, before Apollo took astronauts to the Moon, NASA ran the Gemini program—a series of
two-man missions that tested whether humans could live and work in space for long enough to make a
lunar trip possible.

These photographs capture dramatic moments of the active launch, providing a stunning visual record of this historic event.

77 x 50 cm

€2.250,- ex VAT

To be displayed at the Pan:

Among the most peculiar of all fish species is the sunfish, also commonly known as the moonfish or ocean sunfish.

In this rare vintage photograph, you can see just how symmetrical it really is: the dorsal and anal fins sit perfectly opposite each other, each with 15 rays, mirror images in motion. They're connected by a soft, wavy fin fringe that almost seems to ripple like fabric in water. The reason for this lies in its oval, rounded, disc-like flattened shape.

To be displayed at the Pan:

Among the most peculiar of all fish species is the sunfish, also commonly known as the moonfish or ocean sunfish.

In this rare vintage photograph, you can see just how symmetrical it really is: the dorsal and anal fins sit perfectly opposite each other, each with 15 rays, mirror images in motion. They're connected by a soft, wavy fin fringe that almost seems to ripple like fabric in water. The reason for this lies in its oval, rounded, disc-like flattened shape.

To be displayed at the Pan:

This black-and-white photograph shows Jess Willard (1881–1968), former heavyweight champion, surrounded by smiling neighborhood children in Yonkers, NY. Shortly after, he began training for a comeback fight against Floyd Johnson. The photo bears stamps from Underwood & Underwood and is dated April 25, 1923.

Willard, known as the “Pottawatomie Giant,” became world-famous when he knocked out Jack Johnson in Havana in 1915. He successfully defended his title but lost it in 1919 after a brutal bout against Jack Dempsey, during which he sustained multiple broken bones. His resilience is still celebrated as one of the greatest examples of perseverance in boxing history.

22 cm x 16,6 cm

To be displayed at the Pan:

This black-and-white photograph shows Jess Willard (1881–1968), former heavyweight champion, surrounded by smiling neighborhood children in Yonkers, NY. Shortly after, he began training for a comeback fight against Floyd Johnson. The photo bears stamps from Underwood & Underwood and is dated April 25, 1923.

Willard, known as the “Pottawatomie Giant,” became world-famous when he knocked out Jack Johnson in Havana in 1915. He successfully defended his title but lost it in 1919 after a brutal bout against Jack Dempsey, during which he sustained multiple broken bones. His resilience is still celebrated as one of the greatest examples of perseverance in boxing history.

22 cm x 16,6 cm

To be displayed at the Pan:

Gemini capsule Interior, 1965

This is an excellent view inside a Gemini spacecraft cockpit — looking at both crew stations. Gemini had two astronauts seated side-by-side, unlike Mercury’s single-seat capsule. On the right is the command pilot’s panel, where the commander sat. On the left is the pilot’s side, with its own hand controller.

24,5 x 19cm

To be displayed at the Pan:

Gemini capsule Interior, 1965

This is an excellent view inside a Gemini spacecraft cockpit — looking at both crew stations. Gemini had two astronauts seated side-by-side, unlike Mercury’s single-seat capsule. On the right is the command pilot’s panel, where the commander sat. On the left is the pilot’s side, with its own hand controller.

24,5 x 19cm

To be displayed at the Pan:

Diptych Mercury-Atlas 2, 1961

An unmanned test flight that helped prove the Atlas rocket could safely carry a spacecraft. Photos from this
mission are rare since it was primarily a test, so they would have technical and historical importance.

61 x28 cm

To be displayed at the Pan:

Diptych Mercury-Atlas 2, 1961

An unmanned test flight that helped prove the Atlas rocket could safely carry a spacecraft. Photos from this
mission are rare since it was primarily a test, so they would have technical and historical importance.

61 x28 cm

To be displayed at the Pan:

Posing for a sculpture by Rodin in 1865 could take hours, days, or even weeks. Models were expensive, and some poses—such as that of this Fallen Angel—were so complex that they sometimes hindered the artistic process more than they helped. It is therefore not surprising that Rodin soon began to recognize the power of photography.

This rare image captures precisely that moment where photography and sculpture intersected.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Posing for a sculpture by Rodin in 1865 could take hours, days, or even weeks. Models were expensive, and some poses—such as that of this Fallen Angel—were so complex that they sometimes hindered the artistic process more than they helped. It is therefore not surprising that Rodin soon began to recognize the power of photography.

This rare image captures precisely that moment where photography and sculpture intersected.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Surveyor Mission Mosaics, 25,4 x 20,3 cm

Between 1966 and 1968, NASA’s Surveyor program sent a fleet of unmanned spacecraft to the Moon.
These mechanical scouts transmitted thousands of images back to Earth, including an extraordinary trove of television footage that proved vital in planning the manned Apollo landings.

Each one was a one-way mission: to land softly on the Moon, capture detailed images and scientific data, and transmit that information back to Earth. Once their mission was complete, they remained right where they had landed—silent sentinels on the lunar surface.

In 1969 Astronauts of the Apollo 12 landed their Lunar Module just a few hundred meters from Surveyor
3. The astronauts paid the aging probe a visit, took photographs, and even removed several
components to bring back to Earth. These pieces were later studied to understand how two and a half years
on the Moon had affected the spacecraft’s materials, particularly in the harsh conditions of space.

To be displayed at the Pan:

Surveyor Mission Mosaics, 25,4 x 20,3 cm

Between 1966 and 1968, NASA’s Surveyor program sent a fleet of unmanned spacecraft to the Moon.
These mechanical scouts transmitted thousands of images back to Earth, including an extraordinary trove of television footage that proved vital in planning the manned Apollo landings.

Each one was a one-way mission: to land softly on the Moon, capture detailed images and scientific data, and transmit that information back to Earth. Once their mission was complete, they remained right where they had landed—silent sentinels on the lunar surface.

In 1969 Astronauts of the Apollo 12 landed their Lunar Module just a few hundred meters from Surveyor
3. The astronauts paid the aging probe a visit, took photographs, and even removed several
components to bring back to Earth. These pieces were later studied to understand how two and a half years
on the Moon had affected the spacecraft’s materials, particularly in the harsh conditions of space.

To be displayed at the Pan:

A sequence of 30 photographs by Adolf Voigt and Hans Giebler.
Astronomie ─ Berliner Mond-Atlas.

30 vintage gelatin silver prints. Each 21 x 21 cm. Total 230 x75 cm

The collaborative lunar photography project by Adolf Voigt and Hans Giebler was instrumental in astronomical observation during the height of the space race. Using the 12-inch Bamberg-Refractor telescope at the Wilhelm Foerster Observatory, they captured detailed images of the moon’s surface with a custom-built camera, meticulously documenting its various phases.

Conducted shortly before the Apollo 11 moon landing, their work not only provided valuable visual records but also heightened public interest in lunar exploration during this pivotal era in space history.

To be displayed at the Pan:

A sequence of 30 photographs by Adolf Voigt and Hans Giebler.
Astronomie ─ Berliner Mond-Atlas.

30 vintage gelatin silver prints. Each 21 x 21 cm. Total 230 x75 cm

The collaborative lunar photography project by Adolf Voigt and Hans Giebler was instrumental in astronomical observation during the height of the space race. Using the 12-inch Bamberg-Refractor telescope at the Wilhelm Foerster Observatory, they captured detailed images of the moon’s surface with a custom-built camera, meticulously documenting its various phases.

Conducted shortly before the Apollo 11 moon landing, their work not only provided valuable visual records but also heightened public interest in lunar exploration during this pivotal era in space history.

PAN Amsterdam -
2 - 9 November 2025, Amsterdam

We are happy to join the PAN Amsterdam this year! It will be our first show with PAN and with our historical photography collection.

Find us at the Walls and Cabinets stand opposite of the sushi bar!

---

#PANAmsterdam #Artfair #Amsterdamart #Artcollectors #Kunstbeurs.

PAN Amsterdam -
2 - 9 November 2025, Amsterdam

We are happy to join the PAN Amsterdam this year! It will be our first show with PAN and with our historical photography collection.

Find us at the Walls and Cabinets stand opposite of the sushi bar!

---

#PANAmsterdam #Artfair #Amsterdamart #Artcollectors #Kunstbeurs.

Laatste dag nap+!

Laatste dag nap+!

De kop is eraf.

De kop is eraf.

From 11 to 14 September, Depth of Field will take part in NAP+, a new art fair bringing fresh energy to Amsterdam’s cultural landscape. The fair takes place in a striking location: the Centrale Markthal.
We present a selection of works by Lou-Lou van Staaveren and historical lunar photographs.
Reflecting on the garden as a site of care in contrast with the silent vastness of the moon.

📅 Date: 11-14 september
📍 Location: Centrale Markthal amsterdam

From 11 to 14 September, Depth of Field will take part in NAP+, a new art fair bringing fresh energy to Amsterdam’s cultural landscape. The fair takes place in a striking location: the Centrale Markthal.
We present a selection of works by Lou-Lou van Staaveren and historical lunar photographs.
Reflecting on the garden as a site of care in contrast with the silent vastness of the moon.

📅 Date: 11-14 september
📍 Location: Centrale Markthal amsterdam

Tussen tuin en maan! #nap+#amsterdam #vintagephotgraphy #hazenstraat#dof

Tussen tuin en maan! #nap+#amsterdam #vintagephotgraphy #hazenstraat#dof

Een pikketanussie gaat er altijd in! # jajem # Hazenstraat # dof.amsterdam

Een pikketanussie gaat er altijd in! # jajem # Hazenstraat # dof.amsterdam

Ajax Twente 3-1. Cruyff scoort 3-1. Achter ligt de verslagen doelman Warringa. Dm voor de prijs

Vandaag 18 mei 2025 om 14:30 speelt Ajax in de Johan Cruijff ArenA tegen FC Twente. Hopelijk weer zo'n prachtige wedstrijd.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer informatie over de prijs of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Ajax Twente 3-1. Cruyff scoort 3-1. Achter ligt de verslagen doelman Warringa. Dm voor de prijs

Vandaag 18 mei 2025 om 14:30 speelt Ajax in de Johan Cruijff ArenA tegen FC Twente. Hopelijk weer zo'n prachtige wedstrijd.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer informatie over de prijs of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Vandaag speelt Ajax in de Johan Cruijff ArenA tegen N.E.C. om 16:45.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer info of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Vandaag speelt Ajax in de Johan Cruijff ArenA tegen N.E.C. om 16:45.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer info of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

7 mei 1945, twee dagen na de capitulatiebespreking in Wageningen, werd de bevrijding gevierd op de Dam in Amsterdam toen rond drie uur 's middags plotseling schoten werden gelost door Duitse militairen vanaf het balkon van De Groote Club, op de hoek met de Kalverstraat. Hierbij vielen minstens 32 doden.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

7 mei 1945, twee dagen na de capitulatiebespreking in Wageningen, werd de bevrijding gevierd op de Dam in Amsterdam toen rond drie uur 's middags plotseling schoten werden gelost door Duitse militairen vanaf het balkon van De Groote Club, op de hoek met de Kalverstraat. Hierbij vielen minstens 32 doden.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Bevrijdingsdag, 5 mei 1945 - Een engelse verkenningseenheid van Polar Bears maandagavond 7 mei 1945 bij het stadhuis op de Herengracht.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Bevrijdingsdag, 5 mei 1945 - Een engelse verkenningseenheid van Polar Bears maandagavond 7 mei 1945 bij het stadhuis op de Herengracht.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Masale eerste herdenking in 1946 op het Waterlooplein, - Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

Masale eerste herdenking in 1946 op het Waterlooplein, - Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

1 mei: publieke Opening De Ondergedoken Camera in het @foam_amsterdam Foam. De tentoonstelling toont het werk van fotografen van de gelijknamige groep, die tijdens het laatste jaar van de Duitse bezetting de erbarmelijke omstandigheden in Amsterdam hebben vastgelegd.

Foto: Collaborateurs, mei 1944, Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

1 mei: publieke Opening De Ondergedoken Camera in het @foam_amsterdam Foam. De tentoonstelling toont het werk van fotografen van de gelijknamige groep, die tijdens het laatste jaar van de Duitse bezetting de erbarmelijke omstandigheden in Amsterdam hebben vastgelegd.

Foto: Collaborateurs, mei 1944, Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

To celebrate the 750th anniversary of Amsterdam and the 125th anniversary of AFC Ajax, we delved into our archives.

From Johan Cruyff - not yet the icon he would become -to photographs taken illegally in wartime. From the streetviews of 19th-century Amsterdam to the radical spirit of Provo and the likes.

To celebrate the 750th anniversary of Amsterdam and the 125th anniversary of AFC Ajax, we delved into our archives.

From Johan Cruyff - not yet the icon he would become -to photographs taken illegally in wartime. From the streetviews of 19th-century Amsterdam to the radical spirit of Provo and the likes.

Today, the exhibition "One Club, One City, Ajax Amsterdam" opens in the hall of the City Archives in Amsterdam. Created by the City Archives and SV Ajax to celebrate Ajax’s 125th anniversary, the exhibition showcases 125 years of Ajax and Amsterdam through photos, archival footage, and video portraits.

Today, the exhibition "One Club, One City, Ajax Amsterdam" opens in the hall of the City Archives in Amsterdam. Created by the City Archives and SV Ajax to celebrate Ajax’s 125th anniversary, the exhibition showcases 125 years of Ajax and Amsterdam through photos, archival footage, and video portraits.

It was so nice to open our exhibition last Saturday! We had great conversations, lovely visitors ( plus one uninvited cat), and lots of positive reactions to the work. And the good news is: we’ll be open again this Thursday – everyone’s welcome to come and take a look! For more info about the works and prices you can visit www.dof.amsterdam

It was so nice to open our exhibition last Saturday! We had great conversations, lovely visitors ( plus one uninvited cat), and lots of positive reactions to the work. And the good news is: we’ll be open again this Thursday – everyone’s welcome to come and take a look! For more info about the works and prices you can visit www.dof.amsterdam

We’re almost ready! This Saturday our new exhibition ‘Amsterdam’ opens, featuring photos by Cruijff and Windig, among others.

We’re almost ready! This Saturday our new exhibition ‘Amsterdam’ opens, featuring photos by Cruijff and Windig, among others.

Op 12 april opent Dof een nieuwe tentoonstelling met onder andere een serie zeldzame foto’s van een piepjonge Johan Cruijff, gefotografeerd tussen 1965 en 1967. Ruim zestig jaar geleden, op 15 november 1964, debuteerde de legendarische nummer veertien (met een goal) voor Ajax. Hoewel Michels het nog niet de tijd vond om Cruijff een vaste plaats in het elftal
te geven, kreeg hij op 24 oktober 1965 tegen DWS toch een basisplaats. Met Cruijff in de spits bleef Ajax vervolgens zestien wedstrijden op rij ongeslagen. #ajaxfc #cruijff #amsterdam

Op 12 april opent Dof een nieuwe tentoonstelling met onder andere een serie zeldzame foto’s van een piepjonge Johan Cruijff, gefotografeerd tussen 1965 en 1967. Ruim zestig jaar geleden, op 15 november 1964, debuteerde de legendarische nummer veertien (met een goal) voor Ajax. Hoewel Michels het nog niet de tijd vond om Cruijff een vaste plaats in het elftal
te geven, kreeg hij op 24 oktober 1965 tegen DWS toch een basisplaats. Met Cruijff in de spits bleef Ajax vervolgens zestien wedstrijden op rij ongeslagen. #ajaxfc #cruijff #amsterdam

And there was more…

And there was more…

My own found footage! While organizing old photos, I stumbled upon this one..

My own found footage! While organizing old photos, I stumbled upon this one..

Exciting news! Starting this week, Katrin Pietsch will be joining us at the Hazenstraat! If you have old photos that need restoration, she’s one of the best! Want to know more? Check: https://www.uva.nl/profiel/p/i/k.n.pietsch/k.n.pietsch.html of https://www.instagram.com/kp.fotorestauratie?igsh=MTB2YXQxbjZ6dnc0OA==. #depthoffield #rijksmuseum #uva #hazenstraar #vintagephotography

Exciting news! Starting this week, Katrin Pietsch will be joining us at the Hazenstraat! If you have old photos that need restoration, she’s one of the best! Want to know more? Check: https://www.uva.nl/profiel/p/i/k.n.pietsch/k.n.pietsch.html of https://www.instagram.com/kp.fotorestauratie?igsh=MTB2YXQxbjZ6dnc0OA==. #depthoffield #rijksmuseum #uva #hazenstraar #vintagephotography

Done! Just in time for Christmas😅. These beautiful frames were made by Joris. A glass slide of a study for a shark from 1900 was given a hardwood lightbox, and 4 microphotographs from Braunschweig were mounted in an elevated plexiglass frame.

Done! Just in time for Christmas😅. These beautiful frames were made by Joris. A glass slide of a study for a shark from 1900 was given a hardwood lightbox, and 4 microphotographs from Braunschweig were mounted in an elevated plexiglass frame.

Sold yesterday a photogravure Stanislaw Walery.
The portfolio from which this image came was titled “NUS” (“Naked”) and was credited in the title to Laryew, an anagram used in an effort to separate Stanislas Walery’s erotic work with his more formal photography, as well as the work of his father. NUS included 100 heliogravures of nude women in various poses ranging from classical to modernist; some featured stark, angular lighting and architectural details, lending them a machine-age, Art Deco style. It is thought that these women are dancers from the popular Folies Bergere, a subject he frequently revisited.NUS considered among the best examples of experimental Art Deco photography.

Sold yesterday a photogravure Stanislaw Walery.
The portfolio from which this image came was titled “NUS” (“Naked”) and was credited in the title to Laryew, an anagram used in an effort to separate Stanislas Walery’s erotic work with his more formal photography, as well as the work of his father. NUS included 100 heliogravures of nude women in various poses ranging from classical to modernist; some featured stark, angular lighting and architectural details, lending them a machine-age, Art Deco style. It is thought that these women are dancers from the popular Folies Bergere, a subject he frequently revisited.NUS considered among the best examples of experimental Art Deco photography.

WILLARD, Jess (1881-1968).
Photo of Jess Willard in Yonkers. 1923.
Black and white photograph depicts former heavyweight champion Jess Willard standing amidst a group of smiling neighborhood children in Yonkers, NY, shortly
before beginning training for his comeback match against Floyd Johnson. Stamped “Apr 25 1923” on verso.
Known as the Pottawatomie Giant, Jess Willard became an international sensation when on April 5, 1915, he knocked out heavyweight champion Jack Johnson in the 26th round before a huge crowd in Havana, Cuba. Willard defended his title the following year in a bout against Frank Moran on March 25, 1916 at Madison Square Garden. The end came on July 4, 1919, in a fight against Jack Dempsey in Toledo, Ohio. It is said during this bout that Willard lost several teeth and suffered a broken jaw and three broken ribs. Dempsey won the title in the fourth round, though Willard’s refusal to give up even after the beating he’d suffered is today considered to be one of the most impressive displays of perseverance in
boxing history."

WILLARD, Jess (1881-1968).
Photo of Jess Willard in Yonkers. 1923.
Black and white photograph depicts former heavyweight champion Jess Willard standing amidst a group of smiling neighborhood children in Yonkers, NY, shortly
before beginning training for his comeback match against Floyd Johnson. Stamped “Apr 25 1923” on verso.
Known as the Pottawatomie Giant, Jess Willard became an international sensation when on April 5, 1915, he knocked out heavyweight champion Jack Johnson in the 26th round before a huge crowd in Havana, Cuba. Willard defended his title the following year in a bout against Frank Moran on March 25, 1916 at Madison Square Garden. The end came on July 4, 1919, in a fight against Jack Dempsey in Toledo, Ohio. It is said during this bout that Willard lost several teeth and suffered a broken jaw and three broken ribs. Dempsey won the title in the fourth round, though Willard’s refusal to give up even after the beating he’d suffered is today considered to be one of the most impressive displays of perseverance in
boxing history."

Now at the PAN Amsterdam at Kunsthandel P. De Boer, (stand104) our moon photo’s alongside a beautiful historical moon calendar.

Now at the PAN Amsterdam at Kunsthandel P. De Boer, (stand104) our moon photo’s alongside a beautiful historical moon calendar.

All great changes are preceded by chaos.

All great changes are preceded by chaos.

Our first UNSEEN fair was a great experience, filled with valuable lessons. And we’re excited to take all that we’ve learned into our future projects. Thank you Thomas van Leeuwen for your speech about the shroud and the tablecloth.

#Unseen2024#Thomasvanleeuwen#vintagephotgraphy#shroudofturin#Rembrandt#gertjankocken

Our first UNSEEN fair was a great experience, filled with valuable lessons. And we’re excited to take all that we’ve learned into our future projects. Thank you Thomas van Leeuwen for your speech about the shroud and the tablecloth.

#Unseen2024#Thomasvanleeuwen#vintagephotgraphy#shroudofturin#Rembrandt#gertjankocken

Farewell, Herengracht. The time here was amazing, but new adventures await on the Hazenstraat, amidst a collection of beautiful galleries.

Dag Herengracht.
Het was fijn,
# newgallery #hazenstraat #Vintage photgraphy

Farewell, Herengracht. The time here was amazing, but new adventures await on the Hazenstraat, amidst a collection of beautiful galleries.

Dag Herengracht.
Het was fijn,
# newgallery #hazenstraat #Vintage photgraphy

#unseen #vintagephotography # dof

#unseen #vintagephotography # dof

The former Central Station of Amsterdam. ⁠
⁠
On display 22 till 24th September 2023 at Westergasterrein, Amsterdam.

The former Central Station of Amsterdam. ⁠
⁠
On display 22 till 24th September 2023 at Westergasterrein, Amsterdam.

“Fine new disease has broken out among modern English women - they smoke pipes”
More modern woman will be on display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

“Fine new disease has broken out among modern English women - they smoke pipes”
More modern woman will be on display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

The wrecking ball, Woodward street
New York.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

The wrecking ball, Woodward street
New York.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Zoek de verschillen..
#Amsterdam#vintagephotography#unseen#Dof#spuistraat

Zoek de verschillen..
#Amsterdam#vintagephotography#unseen#Dof#spuistraat

Spuistraat 172 in Amsterdam (now hotel W). The building dates from 1908 and was designed by architect F.W.M. Poggenbeek⁠. In tomorrow’s post, you will see what it looked like before this.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Spuistraat 172 in Amsterdam (now hotel W). The building dates from 1908 and was designed by architect F.W.M. Poggenbeek⁠. In tomorrow’s post, you will see what it looked like before this.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Britain’s King Charles III, then Prince of Wales, swings like “Tarzan” on a tree-to-tree rope walk at the royal marine training center here. The prince, who was to join the commando ship, HMS. Hermes, as a helicopter pilot in march, described the endurance course as “a most horrifying expedition.” ⁠
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam. #unseen #kingcharles3 #princeofwales #tarzan #hermes

Britain’s King Charles III, then Prince of Wales, swings like “Tarzan” on a tree-to-tree rope walk at the royal marine training center here. The prince, who was to join the commando ship, HMS. Hermes, as a helicopter pilot in march, described the endurance course as “a most horrifying expedition.” ⁠
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam. #unseen #kingcharles3 #princeofwales #tarzan #hermes

“1930. The annual display of the London fire Brigade was held this afternoon at their Headquarters in London, at which many thrilling scenes were witnessed with the realistic rescue displays. Hundreds of spectators including fire bridge experts from all parts of the world attended the display of the London Brigade, which are claimed to be the most thoroughly drilled firemen of any country. “
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

“1930. The annual display of the London fire Brigade was held this afternoon at their Headquarters in London, at which many thrilling scenes were witnessed with the realistic rescue displays. Hundreds of spectators including fire bridge experts from all parts of the world attended the display of the London Brigade, which are claimed to be the most thoroughly drilled firemen of any country. “
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

⁠A vernacular series of photographs of working women from the 1920s, reminiscent of August Sander.⁠
⁠
"Delicate car treatment. The first petrol station with female waitresses has opened in London these days. The waitresses wear smart uniforms, but it is not because of this that they have such a large clientele, but because of their careful and cheerful service."⁠
⁠
On display the 21st until 24th September 2023 at Westergasterrein, Amsterdam.

⁠A vernacular series of photographs of working women from the 1920s, reminiscent of August Sander.⁠
⁠
"Delicate car treatment. The first petrol station with female waitresses has opened in London these days. The waitresses wear smart uniforms, but it is not because of this that they have such a large clientele, but because of their careful and cheerful service."⁠
⁠
On display the 21st until 24th September 2023 at Westergasterrein, Amsterdam.

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