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DEPTH OF FIELD

Dealer in original historical

and fine art photographic prints

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€1.551,00Price

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Depth of Field at Art Rotterdam - 27 - 29 March 2026, Rotterdam

Depth of Field is proud to participate in The Past in the Present, a curated section at Unseen Art Rotterdam 2026. Our presentation brings together vintage photographs bearing the visible marks of editorial intervention—red pencil lines, brushstrokes, and figures painted out—transforming functional working documents into unique objects.

These altered prints reveal photography as an act of choice: who remains, who disappears, what story is told. In an era dominated by digital manipulation, deepfakes, and AI, these historical materials feel strikingly urgent. The tools may have changed, but the intention has not.

Join us at Rotterdam Ahoy this weekend!

#artrotterdam #unseenartrotterdam #ahoyrotterdam
#unseen #rotterdam #Thepast #vintagephotography

Depth of Field at Art Rotterdam - 27 - 29 March 2026, Rotterdam

Depth of Field is proud to participate in The Past in the Present, a curated section at Unseen Art Rotterdam 2026. Our presentation brings together vintage photographs bearing the visible marks of editorial intervention—red pencil lines, brushstrokes, and figures painted out—transforming functional working documents into unique objects.

These altered prints reveal photography as an act of choice: who remains, who disappears, what story is told. In an era dominated by digital manipulation, deepfakes, and AI, these historical materials feel strikingly urgent. The tools may have changed, but the intention has not.

Join us at Rotterdam Ahoy this weekend!

#artrotterdam #unseenartrotterdam #ahoyrotterdam
#unseen #rotterdam #Thepast #vintagephotography

To be displayed at Art Rotterdam 2026:

You might try this at your breafast table. OLYMPIA, LONDON, England, 1927—While preparing for the Royal Tournament, members of the 5th Lancers are shown jumping over a dinner, or breakfast table if you wish to call it that, while the others, sit as if nothing was happening.

To be displayed at Art Rotterdam 2026:

You might try this at your breafast table. OLYMPIA, LONDON, England, 1927—While preparing for the Royal Tournament, members of the 5th Lancers are shown jumping over a dinner, or breakfast table if you wish to call it that, while the others, sit as if nothing was happening.

To be displayed at Art Rotterdam 2026:

Man ironing his clothes, photograph by Wally Blackburn, 1952.

20,4 cm x 25,3 cm

To be displayed at Art Rotterdam 2026:

Man ironing his clothes, photograph by Wally Blackburn, 1952.

20,4 cm x 25,3 cm

To be displayed at the Art Rotterdam 2026:

Photograph of three actresses including Kay Kendall who plays Mrs. Rex. Harrison in the comedy "Les Girls", 1957.

20 cm x 25,5 cm

To be displayed at the Art Rotterdam 2026:

Photograph of three actresses including Kay Kendall who plays Mrs. Rex. Harrison in the comedy "Les Girls", 1957.

20 cm x 25,5 cm

Always nice! #unseen #artrotterdam2026 #dofamsterdam

Always nice! #unseen #artrotterdam2026 #dofamsterdam

To be displayed at Art Rotterdam 2026:

Photograph of Caesar (1898–1914), the Wire Fox Terrier owned by King Edward VII. Caesar wore a collar that read "I am Caesar. I belong to the King." At the King's funeral, he led the procession ahead of nine kings and heads of state — a gesture that didn't sit well with Kaiser Wilhelm II.

25,2 cm x 20,1 cm

To be displayed at Art Rotterdam 2026:

Photograph of Caesar (1898–1914), the Wire Fox Terrier owned by King Edward VII. Caesar wore a collar that read "I am Caesar. I belong to the King." At the King's funeral, he led the procession ahead of nine kings and heads of state — a gesture that didn't sit well with Kaiser Wilhelm II.

25,2 cm x 20,1 cm

To be displayed at Art Rotterdam 2026:

Photograph that shows Melissa Montgomery, Dec 7th 1958.
She was featured in the screenplay by Mordecai Richler that waas based on his best-selling novel.

20,4 cm x25,1 cm

To be displayed at Art Rotterdam 2026:

Photograph that shows Melissa Montgomery, Dec 7th 1958.
She was featured in the screenplay by Mordecai Richler that waas based on his best-selling novel.

20,4 cm x25,1 cm

Depth of Field at Hotel Arena -
6 February - 23 March 2026, Amsterdam

A curated photography exhibition at Hotel Arena by D.O.F. bringing together historical and contemporary works to explore the diversity of the photographic medium. On display until March 23rd.

Free entrance!

Depth of Field at Hotel Arena -
6 February - 23 March 2026, Amsterdam

A curated photography exhibition at Hotel Arena by D.O.F. bringing together historical and contemporary works to explore the diversity of the photographic medium. On display until March 23rd.

Free entrance!

#pan #vintagephotgraphy #panamsterdam #dof

#pan #vintagephotgraphy #panamsterdam #dof

To be displayed at the Pan:

Space Transportation System-41 B 1984

STS-41-B launched on February 3, 1984 and landed on February 11, 1984, after deploying two communications satellites.

These are hard to find original STS-41B mission photograph contact sheet shots of Astronaut Bruce McCandless during his famous STS-41B EVA (extravehicular activity). The famous NASA photograph shows McCandless floating alone above Earth, hundreds of feet from Challenger. The image became a symbol of human exploration, often described as the "ultimate solitude.

25,3 x 18,7 cm

To be displayed at the Pan:

Space Transportation System-41 B 1984

STS-41-B launched on February 3, 1984 and landed on February 11, 1984, after deploying two communications satellites.

These are hard to find original STS-41B mission photograph contact sheet shots of Astronaut Bruce McCandless during his famous STS-41B EVA (extravehicular activity). The famous NASA photograph shows McCandless floating alone above Earth, hundreds of feet from Challenger. The image became a symbol of human exploration, often described as the "ultimate solitude.

25,3 x 18,7 cm

To be displayed at the Pan:

Gaudenzio Marconi was a prominent photographer who worked for artists such as Auguste Rodin, providing photographs of models and sculptures to aid in the creative process. The crouching nude (nu accroupi) was a classical pose frequently used in academic art. Marconi’s photographs of models in such poses were used by Rodin as studies or reference material for his sculptures.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Gaudenzio Marconi was a prominent photographer who worked for artists such as Auguste Rodin, providing photographs of models and sculptures to aid in the creative process. The crouching nude (nu accroupi) was a classical pose frequently used in academic art. Marconi’s photographs of models in such poses were used by Rodin as studies or reference material for his sculptures.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Triptych Gemini GT-3 Launch

The mission was launched from Cape Canaveral, Florida, and the spacecraft, named "Molly Brown",
completed three orbits around Earth in just under five hours. This mission laid the groundwork for subsequent Gemini flights and contributed significantly to the success of the Apollo lunar missions. In the mid-1960s, before Apollo took astronauts to the Moon, NASA ran the Gemini program—a series of
two-man missions that tested whether humans could live and work in space for long enough to make a
lunar trip possible.

These photographs capture dramatic moments of the active launch, providing a stunning visual record of this historic event.

77 x 50 cm

€2.250,- ex VAT

To be displayed at the Pan:

Triptych Gemini GT-3 Launch

The mission was launched from Cape Canaveral, Florida, and the spacecraft, named "Molly Brown",
completed three orbits around Earth in just under five hours. This mission laid the groundwork for subsequent Gemini flights and contributed significantly to the success of the Apollo lunar missions. In the mid-1960s, before Apollo took astronauts to the Moon, NASA ran the Gemini program—a series of
two-man missions that tested whether humans could live and work in space for long enough to make a
lunar trip possible.

These photographs capture dramatic moments of the active launch, providing a stunning visual record of this historic event.

77 x 50 cm

€2.250,- ex VAT

To be displayed at the Pan:

Among the most peculiar of all fish species is the sunfish, also commonly known as the moonfish or ocean sunfish.

In this rare vintage photograph, you can see just how symmetrical it really is: the dorsal and anal fins sit perfectly opposite each other, each with 15 rays, mirror images in motion. They're connected by a soft, wavy fin fringe that almost seems to ripple like fabric in water. The reason for this lies in its oval, rounded, disc-like flattened shape.

To be displayed at the Pan:

Among the most peculiar of all fish species is the sunfish, also commonly known as the moonfish or ocean sunfish.

In this rare vintage photograph, you can see just how symmetrical it really is: the dorsal and anal fins sit perfectly opposite each other, each with 15 rays, mirror images in motion. They're connected by a soft, wavy fin fringe that almost seems to ripple like fabric in water. The reason for this lies in its oval, rounded, disc-like flattened shape.

To be displayed at the Pan:

This black-and-white photograph shows Jess Willard (1881–1968), former heavyweight champion, surrounded by smiling neighborhood children in Yonkers, NY. Shortly after, he began training for a comeback fight against Floyd Johnson. The photo bears stamps from Underwood & Underwood and is dated April 25, 1923.

Willard, known as the “Pottawatomie Giant,” became world-famous when he knocked out Jack Johnson in Havana in 1915. He successfully defended his title but lost it in 1919 after a brutal bout against Jack Dempsey, during which he sustained multiple broken bones. His resilience is still celebrated as one of the greatest examples of perseverance in boxing history.

22 cm x 16,6 cm

To be displayed at the Pan:

This black-and-white photograph shows Jess Willard (1881–1968), former heavyweight champion, surrounded by smiling neighborhood children in Yonkers, NY. Shortly after, he began training for a comeback fight against Floyd Johnson. The photo bears stamps from Underwood & Underwood and is dated April 25, 1923.

Willard, known as the “Pottawatomie Giant,” became world-famous when he knocked out Jack Johnson in Havana in 1915. He successfully defended his title but lost it in 1919 after a brutal bout against Jack Dempsey, during which he sustained multiple broken bones. His resilience is still celebrated as one of the greatest examples of perseverance in boxing history.

22 cm x 16,6 cm

To be displayed at the Pan:

Gemini capsule Interior, 1965

This is an excellent view inside a Gemini spacecraft cockpit — looking at both crew stations. Gemini had two astronauts seated side-by-side, unlike Mercury’s single-seat capsule. On the right is the command pilot’s panel, where the commander sat. On the left is the pilot’s side, with its own hand controller.

24,5 x 19cm

To be displayed at the Pan:

Gemini capsule Interior, 1965

This is an excellent view inside a Gemini spacecraft cockpit — looking at both crew stations. Gemini had two astronauts seated side-by-side, unlike Mercury’s single-seat capsule. On the right is the command pilot’s panel, where the commander sat. On the left is the pilot’s side, with its own hand controller.

24,5 x 19cm

To be displayed at the Pan:

Diptych Mercury-Atlas 2, 1961

An unmanned test flight that helped prove the Atlas rocket could safely carry a spacecraft. Photos from this
mission are rare since it was primarily a test, so they would have technical and historical importance.

61 x28 cm

To be displayed at the Pan:

Diptych Mercury-Atlas 2, 1961

An unmanned test flight that helped prove the Atlas rocket could safely carry a spacecraft. Photos from this
mission are rare since it was primarily a test, so they would have technical and historical importance.

61 x28 cm

To be displayed at the Pan:

Posing for a sculpture by Rodin in 1865 could take hours, days, or even weeks. Models were expensive, and some poses—such as that of this Fallen Angel—were so complex that they sometimes hindered the artistic process more than they helped. It is therefore not surprising that Rodin soon began to recognize the power of photography.

This rare image captures precisely that moment where photography and sculpture intersected.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Posing for a sculpture by Rodin in 1865 could take hours, days, or even weeks. Models were expensive, and some poses—such as that of this Fallen Angel—were so complex that they sometimes hindered the artistic process more than they helped. It is therefore not surprising that Rodin soon began to recognize the power of photography.

This rare image captures precisely that moment where photography and sculpture intersected.

Gaudenzio Marconi (1841–1885)

16,7 cm x 24,6 cm

To be displayed at the Pan:

Surveyor Mission Mosaics, 25,4 x 20,3 cm

Between 1966 and 1968, NASA’s Surveyor program sent a fleet of unmanned spacecraft to the Moon.
These mechanical scouts transmitted thousands of images back to Earth, including an extraordinary trove of television footage that proved vital in planning the manned Apollo landings.

Each one was a one-way mission: to land softly on the Moon, capture detailed images and scientific data, and transmit that information back to Earth. Once their mission was complete, they remained right where they had landed—silent sentinels on the lunar surface.

In 1969 Astronauts of the Apollo 12 landed their Lunar Module just a few hundred meters from Surveyor
3. The astronauts paid the aging probe a visit, took photographs, and even removed several
components to bring back to Earth. These pieces were later studied to understand how two and a half years
on the Moon had affected the spacecraft’s materials, particularly in the harsh conditions of space.

To be displayed at the Pan:

Surveyor Mission Mosaics, 25,4 x 20,3 cm

Between 1966 and 1968, NASA’s Surveyor program sent a fleet of unmanned spacecraft to the Moon.
These mechanical scouts transmitted thousands of images back to Earth, including an extraordinary trove of television footage that proved vital in planning the manned Apollo landings.

Each one was a one-way mission: to land softly on the Moon, capture detailed images and scientific data, and transmit that information back to Earth. Once their mission was complete, they remained right where they had landed—silent sentinels on the lunar surface.

In 1969 Astronauts of the Apollo 12 landed their Lunar Module just a few hundred meters from Surveyor
3. The astronauts paid the aging probe a visit, took photographs, and even removed several
components to bring back to Earth. These pieces were later studied to understand how two and a half years
on the Moon had affected the spacecraft’s materials, particularly in the harsh conditions of space.

To be displayed at the Pan:

A sequence of 30 photographs by Adolf Voigt and Hans Giebler.
Astronomie ─ Berliner Mond-Atlas.

30 vintage gelatin silver prints. Each 21 x 21 cm. Total 230 x75 cm

The collaborative lunar photography project by Adolf Voigt and Hans Giebler was instrumental in astronomical observation during the height of the space race. Using the 12-inch Bamberg-Refractor telescope at the Wilhelm Foerster Observatory, they captured detailed images of the moon’s surface with a custom-built camera, meticulously documenting its various phases.

Conducted shortly before the Apollo 11 moon landing, their work not only provided valuable visual records but also heightened public interest in lunar exploration during this pivotal era in space history.

To be displayed at the Pan:

A sequence of 30 photographs by Adolf Voigt and Hans Giebler.
Astronomie ─ Berliner Mond-Atlas.

30 vintage gelatin silver prints. Each 21 x 21 cm. Total 230 x75 cm

The collaborative lunar photography project by Adolf Voigt and Hans Giebler was instrumental in astronomical observation during the height of the space race. Using the 12-inch Bamberg-Refractor telescope at the Wilhelm Foerster Observatory, they captured detailed images of the moon’s surface with a custom-built camera, meticulously documenting its various phases.

Conducted shortly before the Apollo 11 moon landing, their work not only provided valuable visual records but also heightened public interest in lunar exploration during this pivotal era in space history.

PAN Amsterdam -
2 - 9 November 2025, Amsterdam

We are happy to join the PAN Amsterdam this year! It will be our first show with PAN and with our historical photography collection.

Find us at the Walls and Cabinets stand opposite of the sushi bar!

---

#PANAmsterdam #Artfair #Amsterdamart #Artcollectors #Kunstbeurs.

PAN Amsterdam -
2 - 9 November 2025, Amsterdam

We are happy to join the PAN Amsterdam this year! It will be our first show with PAN and with our historical photography collection.

Find us at the Walls and Cabinets stand opposite of the sushi bar!

---

#PANAmsterdam #Artfair #Amsterdamart #Artcollectors #Kunstbeurs.

Laatste dag nap+!

Laatste dag nap+!

De kop is eraf.

De kop is eraf.

From 11 to 14 September, Depth of Field will take part in NAP+, a new art fair bringing fresh energy to Amsterdam’s cultural landscape. The fair takes place in a striking location: the Centrale Markthal.
We present a selection of works by Lou-Lou van Staaveren and historical lunar photographs.
Reflecting on the garden as a site of care in contrast with the silent vastness of the moon.

📅 Date: 11-14 september
📍 Location: Centrale Markthal amsterdam

From 11 to 14 September, Depth of Field will take part in NAP+, a new art fair bringing fresh energy to Amsterdam’s cultural landscape. The fair takes place in a striking location: the Centrale Markthal.
We present a selection of works by Lou-Lou van Staaveren and historical lunar photographs.
Reflecting on the garden as a site of care in contrast with the silent vastness of the moon.

📅 Date: 11-14 september
📍 Location: Centrale Markthal amsterdam

Tussen tuin en maan! #nap+#amsterdam #vintagephotgraphy #hazenstraat#dof

Tussen tuin en maan! #nap+#amsterdam #vintagephotgraphy #hazenstraat#dof

Een pikketanussie gaat er altijd in! # jajem # Hazenstraat # dof.amsterdam

Een pikketanussie gaat er altijd in! # jajem # Hazenstraat # dof.amsterdam

Ajax Twente 3-1. Cruyff scoort 3-1. Achter ligt de verslagen doelman Warringa. Dm voor de prijs

Vandaag 18 mei 2025 om 14:30 speelt Ajax in de Johan Cruijff ArenA tegen FC Twente. Hopelijk weer zo'n prachtige wedstrijd.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer informatie over de prijs of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Ajax Twente 3-1. Cruyff scoort 3-1. Achter ligt de verslagen doelman Warringa. Dm voor de prijs

Vandaag 18 mei 2025 om 14:30 speelt Ajax in de Johan Cruijff ArenA tegen FC Twente. Hopelijk weer zo'n prachtige wedstrijd.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer informatie over de prijs of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Vandaag speelt Ajax in de Johan Cruijff ArenA tegen N.E.C. om 16:45.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer info of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Vandaag speelt Ajax in de Johan Cruijff ArenA tegen N.E.C. om 16:45.

Om het 750-jarig bestaan van Amsterdam en het 125-jarig bestaan van AFC Ajax te vieren, doken we in onze archieven.
Van Johan Cruyff - nog niet het icoon dat hij zou worden - tot illegaal gemaakte foto's in oorlogstijd. Van de straatbeelden van 19e-eeuws Amsterdam tot de radicale geest van Provo en dergelijke.

Klik de link in de bio voor meer info of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

7 mei 1945, twee dagen na de capitulatiebespreking in Wageningen, werd de bevrijding gevierd op de Dam in Amsterdam toen rond drie uur 's middags plotseling schoten werden gelost door Duitse militairen vanaf het balkon van De Groote Club, op de hoek met de Kalverstraat. Hierbij vielen minstens 32 doden.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

7 mei 1945, twee dagen na de capitulatiebespreking in Wageningen, werd de bevrijding gevierd op de Dam in Amsterdam toen rond drie uur 's middags plotseling schoten werden gelost door Duitse militairen vanaf het balkon van De Groote Club, op de hoek met de Kalverstraat. Hierbij vielen minstens 32 doden.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Bevrijdingsdag, 5 mei 1945 - Een engelse verkenningseenheid van Polar Bears maandagavond 7 mei 1945 bij het stadhuis op de Herengracht.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Bevrijdingsdag, 5 mei 1945 - Een engelse verkenningseenheid van Polar Bears maandagavond 7 mei 1945 bij het stadhuis op de Herengracht.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.

→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in onze bio
of kom langs bij DOF op de Hazenstraat 28 te Amsterdam.

Masale eerste herdenking in 1946 op het Waterlooplein, - Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

Masale eerste herdenking in 1946 op het Waterlooplein, - Ad Windig.

De foto's die in 1944-1945 in het geheim werden gemaakt met de 'ondergedoken camera’ zijn officieel opgenomen in het UNESCO Memory of the World Register. Een indrukwekkende erkenning voor beelden die niet alleen fotografisch uitzonderlijk zijn, maar ook een krachtig document vormen van verzet, veerkracht en menselijkheid in oorlogstijd.
Bij DOF hebben we de eer om originele afdrukken van Ad Windig aan te bieden – afdrukken die hij zélf nog in de donkere kamer heeft gemaakt. Windig was één van de fotografen die destijds onder enorme risico’s deze beelden wist vast te leggen.
Voor wie zich bezighoudt met fotografie, erfgoed of geschiedenis is dit een bijzondere verzameling.
→ Meer weten over de afdrukken of over dit hoofdstuk uit de geschiedenis van de Nederlandse fotografie? Klik de link in de bio
of kom langs bij DOF op de hazenstraat 28 te amsterdam.

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ADDRESS

Hazenstraat 28

1016 SR

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