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GAUDENZIO MARCONI FOR RODIN

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DEPTH OF FIELD

Dealer in original historical

and fine art photographic prints

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€ 950,00Price

VAT Included

Anpfoto, europese photo unie

11,6 cm x 18 cm

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It was so nice to open our exhibition last Saturday! We had great conversations, lovely visitors ( plus one uninvited cat), and lots of positive reactions to the work. And the good news is: we’ll be open again this Thursday – everyone’s welcome to come and take a look! For more info about the works and prices you can visit www.dof.amsterdam

It was so nice to open our exhibition last Saturday! We had great conversations, lovely visitors ( plus one uninvited cat), and lots of positive reactions to the work. And the good news is: we’ll be open again this Thursday – everyone’s welcome to come and take a look! For more info about the works and prices you can visit www.dof.amsterdam

We’re almost ready! This Saturday our new exhibition ‘Amsterdam’ opens, featuring photos by Cruijff and Windig, among others.

We’re almost ready! This Saturday our new exhibition ‘Amsterdam’ opens, featuring photos by Cruijff and Windig, among others.

Op 12 april opent Dof een nieuwe tentoonstelling met onder andere een serie zeldzame foto’s van een piepjonge Johan Cruijff, gefotografeerd tussen 1965 en 1967. Ruim zestig jaar geleden, op 15 november 1964, debuteerde de legendarische nummer veertien (met een goal) voor Ajax. Hoewel Michels het nog niet de tijd vond om Cruijff een vaste plaats in het elftal
te geven, kreeg hij op 24 oktober 1965 tegen DWS toch een basisplaats. Met Cruijff in de spits bleef Ajax vervolgens zestien wedstrijden op rij ongeslagen. #ajaxfc #cruijff #amsterdam

Op 12 april opent Dof een nieuwe tentoonstelling met onder andere een serie zeldzame foto’s van een piepjonge Johan Cruijff, gefotografeerd tussen 1965 en 1967. Ruim zestig jaar geleden, op 15 november 1964, debuteerde de legendarische nummer veertien (met een goal) voor Ajax. Hoewel Michels het nog niet de tijd vond om Cruijff een vaste plaats in het elftal
te geven, kreeg hij op 24 oktober 1965 tegen DWS toch een basisplaats. Met Cruijff in de spits bleef Ajax vervolgens zestien wedstrijden op rij ongeslagen. #ajaxfc #cruijff #amsterdam

And there was more…

And there was more…

My own found footage! While organizing old photos, I stumbled upon this one..

My own found footage! While organizing old photos, I stumbled upon this one..

Exciting news! Starting this week, Katrin Pietsch will be joining us at the Hazenstraat! If you have old photos that need restoration, she’s one of the best! Want to know more? Check: https://www.uva.nl/profiel/p/i/k.n.pietsch/k.n.pietsch.html of https://www.instagram.com/kp.fotorestauratie?igsh=MTB2YXQxbjZ6dnc0OA==. #depthoffield #rijksmuseum #uva #hazenstraar #vintagephotography

Exciting news! Starting this week, Katrin Pietsch will be joining us at the Hazenstraat! If you have old photos that need restoration, she’s one of the best! Want to know more? Check: https://www.uva.nl/profiel/p/i/k.n.pietsch/k.n.pietsch.html of https://www.instagram.com/kp.fotorestauratie?igsh=MTB2YXQxbjZ6dnc0OA==. #depthoffield #rijksmuseum #uva #hazenstraar #vintagephotography

Done! Just in time for Christmas😅. These beautiful frames were made by Joris. A glass slide of a study for a shark from 1900 was given a hardwood lightbox, and 4 microphotographs from Braunschweig were mounted in an elevated plexiglass frame.

Done! Just in time for Christmas😅. These beautiful frames were made by Joris. A glass slide of a study for a shark from 1900 was given a hardwood lightbox, and 4 microphotographs from Braunschweig were mounted in an elevated plexiglass frame.

Sold yesterday a photogravure Stanislaw Walery.
The portfolio from which this image came was titled “NUS” (“Naked”) and was credited in the title to Laryew, an anagram used in an effort to separate Stanislas Walery’s erotic work with his more formal photography, as well as the work of his father. NUS included 100 heliogravures of nude women in various poses ranging from classical to modernist; some featured stark, angular lighting and architectural details, lending them a machine-age, Art Deco style. It is thought that these women are dancers from the popular Folies Bergere, a subject he frequently revisited.NUS considered among the best examples of experimental Art Deco photography.

Sold yesterday a photogravure Stanislaw Walery.
The portfolio from which this image came was titled “NUS” (“Naked”) and was credited in the title to Laryew, an anagram used in an effort to separate Stanislas Walery’s erotic work with his more formal photography, as well as the work of his father. NUS included 100 heliogravures of nude women in various poses ranging from classical to modernist; some featured stark, angular lighting and architectural details, lending them a machine-age, Art Deco style. It is thought that these women are dancers from the popular Folies Bergere, a subject he frequently revisited.NUS considered among the best examples of experimental Art Deco photography.

WILLARD, Jess (1881-1968).
Photo of Jess Willard in Yonkers. 1923.
Black and white photograph depicts former heavyweight champion Jess Willard standing amidst a group of smiling neighborhood children in Yonkers, NY, shortly
before beginning training for his comeback match against Floyd Johnson. Stamped “Apr 25 1923” on verso.
Known as the Pottawatomie Giant, Jess Willard became an international sensation when on April 5, 1915, he knocked out heavyweight champion Jack Johnson in the 26th round before a huge crowd in Havana, Cuba. Willard defended his title the following year in a bout against Frank Moran on March 25, 1916 at Madison Square Garden. The end came on July 4, 1919, in a fight against Jack Dempsey in Toledo, Ohio. It is said during this bout that Willard lost several teeth and suffered a broken jaw and three broken ribs. Dempsey won the title in the fourth round, though Willard’s refusal to give up even after the beating he’d suffered is today considered to be one of the most impressive displays of perseverance in
boxing history."

WILLARD, Jess (1881-1968).
Photo of Jess Willard in Yonkers. 1923.
Black and white photograph depicts former heavyweight champion Jess Willard standing amidst a group of smiling neighborhood children in Yonkers, NY, shortly
before beginning training for his comeback match against Floyd Johnson. Stamped “Apr 25 1923” on verso.
Known as the Pottawatomie Giant, Jess Willard became an international sensation when on April 5, 1915, he knocked out heavyweight champion Jack Johnson in the 26th round before a huge crowd in Havana, Cuba. Willard defended his title the following year in a bout against Frank Moran on March 25, 1916 at Madison Square Garden. The end came on July 4, 1919, in a fight against Jack Dempsey in Toledo, Ohio. It is said during this bout that Willard lost several teeth and suffered a broken jaw and three broken ribs. Dempsey won the title in the fourth round, though Willard’s refusal to give up even after the beating he’d suffered is today considered to be one of the most impressive displays of perseverance in
boxing history."

Now at the PAN Amsterdam at Kunsthandel P. De Boer, (stand104) our moon photo’s alongside a beautiful historical moon calendar.

Now at the PAN Amsterdam at Kunsthandel P. De Boer, (stand104) our moon photo’s alongside a beautiful historical moon calendar.

All great changes are preceded by chaos.

All great changes are preceded by chaos.

Our first UNSEEN fair was a great experience, filled with valuable lessons. And we’re excited to take all that we’ve learned into our future projects. Thank you Thomas van Leeuwen for your speech about the shroud and the tablecloth.

#Unseen2024#Thomasvanleeuwen#vintagephotgraphy#shroudofturin#Rembrandt#gertjankocken

Our first UNSEEN fair was a great experience, filled with valuable lessons. And we’re excited to take all that we’ve learned into our future projects. Thank you Thomas van Leeuwen for your speech about the shroud and the tablecloth.

#Unseen2024#Thomasvanleeuwen#vintagephotgraphy#shroudofturin#Rembrandt#gertjankocken

Farewell, Herengracht. The time here was amazing, but new adventures await on the Hazenstraat, amidst a collection of beautiful galleries.

Dag Herengracht.
Het was fijn,
# newgallery #hazenstraat #Vintage photgraphy

Farewell, Herengracht. The time here was amazing, but new adventures await on the Hazenstraat, amidst a collection of beautiful galleries.

Dag Herengracht.
Het was fijn,
# newgallery #hazenstraat #Vintage photgraphy

#unseen #vintagephotography # dof

#unseen #vintagephotography # dof

The former Central Station of Amsterdam. ⁠
⁠
On display 22 till 24th September 2023 at Westergasterrein, Amsterdam.

The former Central Station of Amsterdam. ⁠
⁠
On display 22 till 24th September 2023 at Westergasterrein, Amsterdam.

“Fine new disease has broken out among modern English women - they smoke pipes”
More modern woman will be on display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

“Fine new disease has broken out among modern English women - they smoke pipes”
More modern woman will be on display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

The wrecking ball, Woodward street
New York.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

The wrecking ball, Woodward street
New York.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Zoek de verschillen..
#Amsterdam#vintagephotography#unseen#Dof#spuistraat

Zoek de verschillen..
#Amsterdam#vintagephotography#unseen#Dof#spuistraat

Spuistraat 172 in Amsterdam (now hotel W). The building dates from 1908 and was designed by architect F.W.M. Poggenbeek⁠. In tomorrow’s post, you will see what it looked like before this.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Spuistraat 172 in Amsterdam (now hotel W). The building dates from 1908 and was designed by architect F.W.M. Poggenbeek⁠. In tomorrow’s post, you will see what it looked like before this.
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

Britain’s King Charles III, then Prince of Wales, swings like “Tarzan” on a tree-to-tree rope walk at the royal marine training center here. The prince, who was to join the commando ship, HMS. Hermes, as a helicopter pilot in march, described the endurance course as “a most horrifying expedition.” ⁠
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam. #unseen #kingcharles3 #princeofwales #tarzan #hermes

Britain’s King Charles III, then Prince of Wales, swings like “Tarzan” on a tree-to-tree rope walk at the royal marine training center here. The prince, who was to join the commando ship, HMS. Hermes, as a helicopter pilot in march, described the endurance course as “a most horrifying expedition.” ⁠
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam. #unseen #kingcharles3 #princeofwales #tarzan #hermes

“1930. The annual display of the London fire Brigade was held this afternoon at their Headquarters in London, at which many thrilling scenes were witnessed with the realistic rescue displays. Hundreds of spectators including fire bridge experts from all parts of the world attended the display of the London Brigade, which are claimed to be the most thoroughly drilled firemen of any country. “
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

“1930. The annual display of the London fire Brigade was held this afternoon at their Headquarters in London, at which many thrilling scenes were witnessed with the realistic rescue displays. Hundreds of spectators including fire bridge experts from all parts of the world attended the display of the London Brigade, which are claimed to be the most thoroughly drilled firemen of any country. “
⁠
On display 21st till 24th September 2023 at Westergasterrein, Amsterdam.

⁠A vernacular series of photographs of working women from the 1920s, reminiscent of August Sander.⁠
⁠
"Delicate car treatment. The first petrol station with female waitresses has opened in London these days. The waitresses wear smart uniforms, but it is not because of this that they have such a large clientele, but because of their careful and cheerful service."⁠
⁠
On display the 21st until 24th September 2023 at Westergasterrein, Amsterdam.

⁠A vernacular series of photographs of working women from the 1920s, reminiscent of August Sander.⁠
⁠
"Delicate car treatment. The first petrol station with female waitresses has opened in London these days. The waitresses wear smart uniforms, but it is not because of this that they have such a large clientele, but because of their careful and cheerful service."⁠
⁠
On display the 21st until 24th September 2023 at Westergasterrein, Amsterdam.

A smiling G.T.H. Rietveld at work on a large commission. ⁠
⁠On display 21st till 24th September 2023 at "het Meterhuisje" near Unseen, Westergasfabriekterrein, Amsterdam.

A smiling G.T.H. Rietveld at work on a large commission. ⁠
⁠On display 21st till 24th September 2023 at "het Meterhuisje" near Unseen, Westergasfabriekterrein, Amsterdam.

SOLD Bettie Page

“The ultimate girl-next-door, and one of the most popular Playboy centerfolds, Bettie Page challenged the conservative 1950s, posing as a fierce dominatrix, and earning both a cult underground following and a Senate Committee investigation.” Is written on the back of the book about Bettie Page by Karen Essex in 1996.

From an impoverished Tennessee girl to an iconic 1950s model who helped usher in the sexual revolution of the 1960s, Bettie Page lived nothing if not a full life. She inspired comic books, fashion, and even action figures, and today she’s best remembered as an icon of feminine power and sexual expression.

#Bettiepage #Playboy #DOF #vintagephotography #model #feminism

SOLD Bettie Page

“The ultimate girl-next-door, and one of the most popular Playboy centerfolds, Bettie Page challenged the conservative 1950s, posing as a fierce dominatrix, and earning both a cult underground following and a Senate Committee investigation.” Is written on the back of the book about Bettie Page by Karen Essex in 1996.

From an impoverished Tennessee girl to an iconic 1950s model who helped usher in the sexual revolution of the 1960s, Bettie Page lived nothing if not a full life. She inspired comic books, fashion, and even action figures, and today she’s best remembered as an icon of feminine power and sexual expression.

#Bettiepage #Playboy #DOF #vintagephotography #model #feminism

SOLD Moon Stereoscopic Series No.VI

Price 650,- (framed)

The Moon itself is impressive, but the effort required to take these pictures makes it particularly impressive.

To create a stereo image requires two slightly different images to be overlaid with mostly the same detail, but enough subtle differences to make the image three-dimensional. However, taking pictures of something as distant as the Moon would require the two lenses to be incredibly far apart. An alternative method, is to take two photographs that are very far apart in time. That is the method that was used by Warren De La Rue to take these particular stereo-images. For example, the previous set of Moon pictures are separated by more than a year.

The first one was taken on 27 February 1858, and the second on 11 September 1859. The first was when the Moon was 14.2 days old, and in the second it was 14.8 days old, allowing the two images to be just different enough to create the stereo-effect when observed through a viewer.

To do all this the chemist, astronomer and gentleman-adventurer Warren de la Rue (1815–89) set about designing this large telescope for his own private observatory near London. It was completed in 1849, and improved when he moved to a better observatory nearby in 1857. De la Rue wasn’t the first to take photographs through a telescope; but his telescope was, as far as we know, the first to be designed and built with photography in mind.

These photographs are in excellent condition, professionally framed and for sale in our online store. Other examples of these series are part of museum collections in the Metropolitan Museum New York and the Victoria and Albert museum in Londen.

Artist: Warren De La Rue

Date: 1857-1863

Dimensions: 8,5 cm x 17cm

SOLD Moon Stereoscopic Series No.VI

Price 650,- (framed)

The Moon itself is impressive, but the effort required to take these pictures makes it particularly impressive.

To create a stereo image requires two slightly different images to be overlaid with mostly the same detail, but enough subtle differences to make the image three-dimensional. However, taking pictures of something as distant as the Moon would require the two lenses to be incredibly far apart. An alternative method, is to take two photographs that are very far apart in time. That is the method that was used by Warren De La Rue to take these particular stereo-images. For example, the previous set of Moon pictures are separated by more than a year.

The first one was taken on 27 February 1858, and the second on 11 September 1859. The first was when the Moon was 14.2 days old, and in the second it was 14.8 days old, allowing the two images to be just different enough to create the stereo-effect when observed through a viewer.

To do all this the chemist, astronomer and gentleman-adventurer Warren de la Rue (1815–89) set about designing this large telescope for his own private observatory near London. It was completed in 1849, and improved when he moved to a better observatory nearby in 1857. De la Rue wasn’t the first to take photographs through a telescope; but his telescope was, as far as we know, the first to be designed and built with photography in mind.

These photographs are in excellent condition, professionally framed and for sale in our online store. Other examples of these series are part of museum collections in the Metropolitan Museum New York and the Victoria and Albert museum in Londen.

Artist: Warren De La Rue

Date: 1857-1863

Dimensions: 8,5 cm x 17cm

Title: Joseph Beuys vor dem Museum Fridericianum bei den Basaltstelen

Price: 480,- Euro. (Frame included)

For Documenta 7, the artist Joseph Beuys proposed a plan to have 7000 oaks trees planted across the city of Kassel, each tree accompanied with basalt stone, 4 feet high above the ground.

In this picture we see Beuys standing on a mountain of 7000 basalt stones that were piled up in front of the Museum Fridericianum at the beginning of the project.

In an interview Joseph Beuys states “The planting of seven thousand oak trees is thus only a symbolic beginning. And such a symbolic beginning requires a marker, in this instance a basalt column. The intention of such a tree-planting event is to point up the transformation of all of life, of society, and of the whole ecological system.’ ‘I believe that planting these oaks is necessary, not only in biospheric terms, that is to say, in the context of matter and ecology, but in that it will raise ecological consciousness – raise it increasingly, in the course of the years to come, because we shall never stop planting.’ – Joseph Beuys, 1982

The planting continued for five years throughout public spaces in the inner city, negotiated through site proposals submitted by residents, councils, schools and other local associations. The last tree was planted at the opening of Documenta 8 in June 1987 by his son, Beuys passed away in 1964 at the age of 64.

Date: 1982

Artist : D Schwerdtle (1952-1009)

Product type: Silver gelatine print

Authentication: Numb “16/100” in red ballpoint. Artist : D Schwerdtle (1952-1009)

Dimensions: 37,3 cm x 27,8 cm

#Documenta #Kassel # JosephBeuys #Fridericianum #social-art # ecosystem #7000oaks #socialsculpures #eighties

Title: Joseph Beuys vor dem Museum Fridericianum bei den Basaltstelen

Price: 480,- Euro. (Frame included)

For Documenta 7, the artist Joseph Beuys proposed a plan to have 7000 oaks trees planted across the city of Kassel, each tree accompanied with basalt stone, 4 feet high above the ground.

In this picture we see Beuys standing on a mountain of 7000 basalt stones that were piled up in front of the Museum Fridericianum at the beginning of the project.

In an interview Joseph Beuys states “The planting of seven thousand oak trees is thus only a symbolic beginning. And such a symbolic beginning requires a marker, in this instance a basalt column. The intention of such a tree-planting event is to point up the transformation of all of life, of society, and of the whole ecological system.’ ‘I believe that planting these oaks is necessary, not only in biospheric terms, that is to say, in the context of matter and ecology, but in that it will raise ecological consciousness – raise it increasingly, in the course of the years to come, because we shall never stop planting.’ – Joseph Beuys, 1982

The planting continued for five years throughout public spaces in the inner city, negotiated through site proposals submitted by residents, councils, schools and other local associations. The last tree was planted at the opening of Documenta 8 in June 1987 by his son, Beuys passed away in 1964 at the age of 64.

Date: 1982

Artist : D Schwerdtle (1952-1009)

Product type: Silver gelatine print

Authentication: Numb “16/100” in red ballpoint. Artist : D Schwerdtle (1952-1009)

Dimensions: 37,3 cm x 27,8 cm

#Documenta #Kassel # JosephBeuys #Fridericianum #social-art # ecosystem #7000oaks #socialsculpures #eighties

Goal!

Price € 350,- (frame included)

Description: Artur de Sousa, known by his nickname Pinga (July 30, 1909 – July 12, 1963) was a Portuguese footballer and later coach. On 5 May of 1935, Pinga scored two late goals against Spain to complete an iconic comeback, from 3-0 down up to 3-3. One goal via a penalty kick. The match was held at the 'Stadium of Light', Benfica, and watched by 50,000 people.

This photo is also a good example of elementary retouching on prints. We can see that the outline of the shirt and legs were enhanced with a brush 90 years ago, probably to make Pinga stand out more.

Fun fact: Pinga was born in the same village, Funchal, capital of the Portuguese island of Madeira, as the famous Christiano Ronaldo.

Date: 5 mei 1935 Lissabon

Product type: silver gelatine print

Authentication: Writing on the back

Dimensions: 13,7 cm x 13 cm

#Vintage-photography #football #pinga #spain #Portugal #Ronaldo
#uniquepieces #DOF #Depthoffield #artphotography #vintage #sport #Madeira #ChristianoRonaldo #Lisboa #Goal #penalty

Goal!

Price € 350,- (frame included)

Description: Artur de Sousa, known by his nickname Pinga (July 30, 1909 – July 12, 1963) was a Portuguese footballer and later coach. On 5 May of 1935, Pinga scored two late goals against Spain to complete an iconic comeback, from 3-0 down up to 3-3. One goal via a penalty kick. The match was held at the 'Stadium of Light', Benfica, and watched by 50,000 people.

This photo is also a good example of elementary retouching on prints. We can see that the outline of the shirt and legs were enhanced with a brush 90 years ago, probably to make Pinga stand out more.

Fun fact: Pinga was born in the same village, Funchal, capital of the Portuguese island of Madeira, as the famous Christiano Ronaldo.

Date: 5 mei 1935 Lissabon

Product type: silver gelatine print

Authentication: Writing on the back

Dimensions: 13,7 cm x 13 cm

#Vintage-photography #football #pinga #spain #Portugal #Ronaldo
#uniquepieces #DOF #Depthoffield #artphotography #vintage #sport #Madeira #ChristianoRonaldo #Lisboa #Goal #penalty

Price 750,-

Some details of the girl growing up in this well preserved fin de siècle album 'Je meurs ou je m’attache' .

Date: Late 19th century and early 20th.

Product type: Various prints among which platina

#Vintage-photography #handmade #uniquepieces #girl #rinekedjikstra #growingup #DOF #woman #dog #Depthoffield #artphotography #photoalbum #Victorianage #model #comingofage #symbolism #Tilldeathdouspart

Price 750,-

Some details of the girl growing up in this well preserved fin de siècle album 'Je meurs ou je m’attache' .

Date: Late 19th century and early 20th.

Product type: Various prints among which platina

#Vintage-photography #handmade #uniquepieces #girl #rinekedjikstra #growingup #DOF #woman #dog #Depthoffield #artphotography #photoalbum #Victorianage #model #comingofage #symbolism #Tilldeathdouspart

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Hazenstraat 28

1016 SR

Amsterdam

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